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Index
Introduction
Setting Up Your Room
The Mixing Room
Setting up a Room at Home
Tuning the Room
Monitoring
Referencing
Technical Preproduction
Pre-Production
Space, equipment and time
Live Beds Or Multi-Tracked Performance
The Influence Of Spill In A Recording
Approach To Session And Artist
On the Day
Setting up Sessions
Preparation For Recording
The Drum Kit
Kit Sound and Genre
Tuning Methods
Order And Method Of Tuning
Acoustic Treatments
Dampenig
Tuning Aids
Adjusting The Harmonics
Fret Buzz And Flat Spots
Constant String Breakage
Ringing Strings
Cues – Headphones And Foldback
Headphones
Using Fold Back
Settling In Time
Types Of Audio Cable
Recording
Recording Chain Basics
Microphone Types
Polar Patterns
Microphone Choice
Phase Cancellation
Processor Basics
Recording Drums And Percussion
Recording Amplifiers
Guitar Amp Emulators/Modellers And Software Types
Understanding Speakers And Cabinets
Microphone Positioning
DI (Direct Injection) And Re-Amping
Recording Acoustic Instruments
Recording Lead And Backing Vocals
Recording Brass And Woodwind
Recording Strings
Recording Pianos And Keyboards
Recording With Analogue Tape
MIDI Basics
Mix Preparation
Work Flow
Drum Editing
Sound Replacement
Editing Bass
Editing Guitars
Editing Vocals
Auto Correction
Mixing
Overview
Mixing Styles
Processing Order Of Outboard Gear And Plug-Ins
Equalising / Compressing During Recording
Types Of Eq’s And Application
The Stereo Image
Mono Mixes
Masking
Psychoacoustics
Compression In A Mix
Applying Equalisation And Compression
Starting The Mix
Mastering
A Brief History
Principles of Mastering
Mastering Process
Stereo Width Processing
Order Of Processing
Types Of Compressors/Limiters
Equalisation
Analysis Of The Mix
Editing
Other Considerations
Dithering And Noise Shaping
Limiting And Loudness
Mastering For Streaming
Track Order
Output Files
Final Thoughts
Practice Mixes
Compare Your Mix
Upload Your Session Files
Upload Your Mix
Applications Videos
Blog
FAQs
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